Native American Literature

A family, separated by duty and distance, waits for a loved one to return home in this lyrical picture book celebrating the bonds of a Cherokee family and the bravery of history-making women pilots. At the mountain's base sits a cabin under an old hickory tree. And in that cabin lives a family -- loving, weaving, cooking, and singing. The strength in their song sustains them through trials on the ground and in the sky, as they wait for their loved one, a pilot, to return from war. With an author's note that pays homage to the true history of Native American U.S. service members like WWII pilot Ola Mildred "Millie" Rexroat, this is a story that reveals the roots that ground us, the dreams that help us soar, and the people and traditions that hold us up.

On an island at the edge of a wide, wild sea, a girl and her grandmother gather gifts from the earth. Salmon from the stream, herring eggs from the ocean, and in the forest, a world of berries. Salmonberry, Cloudberry, Blueberry, Nagoonberry. Huckleberry, Snowberry, Strawberry, Crowberry. Through the seasons, they sing to the land as the land sings to them. Brimming with joy and gratitude, in every step of their journey, they forge a deeper kinship with both the earth and the generations that came before, joining in the song that connects us all. Michaela Goade's luminous rendering of water and forest, berries and jams glows with her love of the land and offers an invitation to readers to deepen their own relationship with the earth.

Windy Girl is blessed with a vivid imagination. From Uncle she gathers stories of long-ago traditions, about dances and sharing and gratitude. Windy can tell such stories herself-about her dog, Itchy Boy, and the way he dances to request a treat and how he wriggles with joy in response to, well, just about everything. When Uncle and Windy Girl and Itchy Boy attend a powwow, Windy watches the dancers in their jingle dresses and listens to the singers. She eats tasty food and joins family and friends around the campfire. Later, Windy falls asleep under the stars. Now Uncle's stories inspire other visions in her head: a bowwow powwow, where all the dancers are dogs. In these magical scenes, Windy sees veterans in a Grand Entry, and a visiting drum group, and traditional dancers, grass dancers, and jingle-dress dancers-all with telltale ears and paws and tails. All celebrating in song and dance. All attesting to the wonder of the powwow. This playful story by Brenda Child is accompanied by a companion retelling in Ojibwe by Gordon Jourdain and brought to life by Jonathan Thunder's vibrant dreamscapes. The result is a powwow tale for the ages.

Fry bread is food.It is warm and delicious, piled high on a plate. Fry bread is time.It brings families together for meals and new memories. Fry bread is nation.It might look or taste different, but it is still shared by many, from coast to coast and beyond. Fry bread is us.It is a celebration of old and new, traditional and modern, similarity and difference.Fry Bread is a story told in lively and powerful verse by Seminole Nation member Kevin Noble Maillard, with vibrant art from Pura Belpre Award winner Juana Martinez-Neal.

Herizon follows the journey of a young Diné girl as she helps her grandmother retrieve a flock of sheep with a magical scarf that transforms the world she knows.The inspiring story celebrates creativity and bravery, while promoting an inclusive future made possible through intergenerational strength and knowledge.

In this Wampanoag story told in a Native tradition, two kids from the Mashpee Wampanoag tribe learn the story of Wee chumun (corn) and the first Thanksgiving. The Thanksgiving story that most Americans know celebrates the Pilgrims. But without members of the Wampanoag tribe who already lived on the land where the Pilgrims settled, the Pilgrims would never have made it through their first winter. And without Wee chumun (corn), the Native people wouldn't have helped. An important picture book honoring both the history and tradition that surrounds the story of the first Thanksgiving.

Shanyaak'utlaax: Salmon Boy comes from an ancient Tlingit story that teaches about respect for nature, animals and culture. The title character, a Tlingit boy, violates these core cultural values when he flings away a dried piece of salmon with mold on the end given to him by his mother. His disrespect offends the Salmon People, who sweep him into the water and into their world. This book is part of Baby Raven Reads, an award-winning Sealaska Heritage program for Alaska Native families with children up to age 5 that promotes language development and school readiness. Baby Raven Reads was awarded the Library of Congress's 2017 Literacy Awards Program Best Practice Honoree award.

A 2022 American Indian Youth Literature Picture Book Honor Book A 2022 Robert F. Sibert Honor Book Twelve Native American kids present historical and contemporary laws, policies, struggles, and victories in Native life, each with a powerful refrain: We are still here! Too often, Native American history is treated as a finished chapter instead of relevant and ongoing. This companion book to the award-winning We Are Grateful: Otsaliheliga offers readers everything they never learned in school about Native American people's past, present, and future. Precise, lyrical writing presents topics including: forced assimilation (such as boarding schools), land allotment and Native tribal reorganization, termination (the US government not recognizing tribes as nations), Native urban relocation (from reservations), self-determination (tribal self-empowerment), Native civil rights, the Indian Child Welfare Act (ICWA), religious freedom, economic development (including casino development), Native language revival efforts, cultural persistence, and nationhood.

Water is the first medicine.It affects and connects us all.Water is sacred. My people talk of a black snake that will destroy the land, Spoil the water, wreck everything in its path.They foretold that it wouldn't come for many, many years.Now the black snake is here.Told from the perspective of a Native American child, this bold and lyrical picture book written by Ojibwe/Métis author Carole Lindstrom and illustrated by Tlingit artist Michaela Goade is a powerful call to action to defend Earth's natural resources--inspired by the Dakota Access Pipeline protests and similar movements led by Indigenous tribes all across North America.

Two native American girls, one from the past and one from the present, live through the seasons, side-by-side, in the warm embrace of their families. The past is nearly 400 years ago, when the Lenape people lived a traditional life barely touched by European traders. The present is contemporary America, as the Lenape continue to adapt to a changing world while remaining close to the land and to each other.

When Katherena and her mother move to a small town, Katherena feels lonely and out of place. But when she meets an elderly woman artist who lives next door, named Agnes--her world starts to change. Katherena and Agnes share the same passions for arts and crafts, birds, and nature. But as the seasons change, can Katherna navigate the failing health of her new friend? Award-winning author and artist Julie Flett's textured images of birds, flowers, art, and landscapes bring vibrancy and warmth to this powerful story, which highlights the fulfillment of intergenerational relationships, shared passions, and spending time outdoors with the ones we love. Includes a glossary and pronunciation guide to Cree words that appear in the text.

The first treaty that was made was between the earth and the sky. It was an agreement to work together. We build all of our treaties on that original treaty. On the banks of the river that have been Mishomis's home his whole life, he teaches his granddaughter to listen--to hear both the sounds and the silences, and so to learn her place in Creation. Most importantly, he teaches her about treaties--the bonds of reciprocity and renewal that endure for as long as the sun shines, the grass grows, and the rivers flow.  Accompanied by beautiful illustrations by Luke Swinson and an author's note at the end, Aimée Craft affirms the importance of understanding an Indigenous perspective on treaties in this evocative book that is essential for readers of all ages.

A contemporary Indigenous picture book that offers both an homage to Secretary Deb Haaland's achievements, and a celebration of urban Indigenous community through the eyes of a little girl.  Pia rushes over to the Indigenous community center after school. It's where she goes every day to play outside with friends and work on her homework. But today--March 18, 2021--is special: Auntie Autumn gathers all the children around their television to witness Secretary Deb Haaland in her ribbon skirt at the White House as she becomes the first Native American to serve as a cabinet secretary. Pia and the other kids behold her Native pride on an international stage. Together with their parents and Elders, the children explore the values woven into their own regalia, land, community, and traditions, making precious memories on this day they won't soon forget. 

Omakayas, a seven-year-old Native American girl of the Ojibwa tribe, lives through the joys of summer and the perils of winter on an island in Lake Superior in 1847. For as long as Omakayas can remember, she and her family have lived on the land her people call the Island of the Golden-Breasted Woodpecker. Although the chimookoman, white people, encroach more and more on their land, life continues much as it always has. Every summer the family builds a new birchbark house; every fall they go to ricing camp to harvest and feast; they move to the cedar log house before the first snows arrive, and celebrate the end of the long, cold winters at maple-sugaring camp. In between, Omakayas fights with her annoying little brother, Pinch, plays with the adorable baby, Neewo, and tries to be grown-up like her beautiful older sister, Angeline. But the satisfying rhythms of their lives are shattered when a visitor comes to their lodge one winter night, bringing with him an invisible enemy that will change things forever. Set on an island in Lake Superior in 1847, and filled with fascinating details of traditional Ojibwa life, The Birchbark House is a breathtaking novel by one of America's most gifted and original writers.

In her debut middle grade novel--inspired by her family's history--Christine Day tells the story of a girl who uncovers her family's secrets--and finds her own Native American identity. All her life, Edie has known that her mom was adopted by a white couple. So, no matter how curious she might be about her Native American heritage, Edie is sure her family doesn't have any answers. Until the day when she and her friends discover a box hidden in the attic--a box full of letters signed "Love, Edith," and photos of a woman who looks just like her. Suddenly, Edie has a flurry of new questions about this woman who shares her name. Could she belong to the Native family that Edie never knew about? But if her mom and dad have kept this secret from her all her life, how can she trust them to tell her the truth now?

When Regina's Umpqua tribe is legally terminated and her family must relocate from Oregon to Los Angeles, she goes on a quest to understand her identity as an Indian despite being so far from home. Regina Petit's family has always been Umpqua, and living on the Grand Ronde Tribe's reservation is all ten-year-old Regina has ever known. Her biggest worry is that Sasquatch may actually exist out in the forest. But when the federal government enacts a law that says Regina's tribe no longer exists, Regina becomes "Indian no more" overnight--even though she lives with her tribe and practices tribal customs, and even though her ancestors were Indian for countless generations. Now that they've been forced from their homeland, Regina's father signs the family up for the federal Indian Relocation Program and moves them to Los Angeles. Regina finds a whole new world in her neighborhood on 58th Place. She's never met kids of other races, and they've never met a real Indian. For the first time in her life, Regina comes face to face with the viciousness of racism, personally and toward her new friends. Meanwhile, her father believes that if he works hard, their family will be treated just like white Americans. But it's not that easy. It's 1957 during the Civil Rights era, and the family struggles without their tribal community and land. At least Regina has her grandmother, Chich, and her stories. At least they are all together. In this moving middle-grade novel drawing upon Umpqua author Charlene Willing McManis's own tribal history, Regina must find out: Who is Regina Petit? Is she Indian, American, or both? And will she and her family ever be okay?

Through stories of Lakota leader Crazy Horse, a boy learns about his heritage and himself in this American Indian Youth Literature Award-winning novel from acclaimed author Joseph Marshall III Jimmy McClean is a Lakota boy, though you wouldn't guess it by his name. His mother is Lakota, and his father is half white and half Lakota. Over summer break, Jimmy embarks on a journey with his grandfather, Nyles High Eagle. While on the road, his grandfather tells him the story of Crazy Horse, one of the most important figures in Lakota, and American, history. Expertly intertwining fiction and nonfiction, celebrated Brulé Lakota author Joseph Marshall III chronicles the many heroic deeds of Crazy Horse, especially his taking up arms against the U.S. government. He fiercely fought against encroachments on the territories and way of life of the Lakota people, including leading a war party to victory at the Battle of the Greasy Grass (the Battle of the Little Bighorn) and playing a major and dangerous role as decoy at the Battle of the Hundred in the Hands (the Fetterman Battle). With Sitting Bull, Crazy Horse was the last of the Lakota to surrender his people to the U.S. Army. Through his grandfather's tales about the famous warrior, Jimmy learns about his Lakota heritage and, ultimately, himself. Drawing references and inspiration from the oral stories of the Lakota tradition, Marshall gives readers an insider's perspective on the life of Tasunke Witko, better known as Crazy Horse.

From the U.S.'s foremost Indigenous children's author comes a middle grade verse novel set during the COVID-19 pandemic, about a Wabanaki girl's quarantine on her grandparents' reservation and the local dog that becomes her best friend Malian loves spending time with her grandparents at their home on a Wabanaki reservation. She's there for a visit when, suddenly, all travel shuts down. There's a new virus making people sick, and Malian will have to stay with her grandparents for the duration.   Everyone is worried about the pandemic, but Malian knows how to keep her family and community safe: She protects her grandparents, and they protect her. She doesn't go outside to play with friends, she helps her grandparents use video chat, and she listens to and learns from their stories. And when Malsum, one of the dogs living on the rez, shows up at their door, Malian's family knows that he'll protect them too.   Told in verse inspired by oral storytelling, this novel about the COVID-19 pandemic highlights the ways Malian's community has cared for one another through plagues of the past, and how they keep caring for one another today.

When superstar athlete Jim Thorpe and football legend Pop Warner met in 1904 at the Carlisle Indian Industrial School in Pennsylvania, they forged one of the winningest teams in American football history. Called "the team that invented football," they took on the best opponents of their day, defeating much more privileged schools such as Harvard and the Army in a series of breathtakingly close calls, genius plays, and bone-crushing hard work. But this is not just an underdog story. It's an unflinching look at the persecution of Native Americans and its intersection with the beginning of one of the most beloved--and exploitative--pastimes in America, expertly told by nonfiction powerhouse Steve Sheinkin.