Through in-depth case studies they trace a historical continuum in which literature reveals its two-sided nature: it demands both regulation and protection. The contributors investigate the logic of literary repression, particularly in the twentieth and twenty-first centuries, and analyze why it is thought essential to control literature. Moreover, the authors determine how literary practices are shaped and transformed by regulation and censorship.

Based on extensive archival research, this incisive and multifaceted book reveals how the issue of censorship challenged British society to confront issues ranging from mass literacy and democratization to feminism, gay rights, and multiculturalism.

This guide provides a framework for understanding censorship and the protections guaranteed to us through the First Amendment. Interpretations of the uniquely American notion of freedom of expression, and our freedom to read what we choose, are supplemented by straightforward, easily accessible information that will inspire further exploration.

Taking two narrative genres that are generally presumed to have been stymied by the censor's knife--the Victorian novel and classical Hollywood film--this book reveals the varied ways in which censorship, for all its blustery self-righteousness, can actually be good for sex, politics, feminism, and art.

From Gossip Girl to The Kite Runner a completely updated look at the history of censorship in world literature. Throughout history, nations, peoples, and governments have censored writers and their works on political, religious, sexual, and social grounds.

"In Not in Front of the Children, Marjorie Heins explores the fascinating history of "indecency" laws and other restrictions aimed at protecting youth. From Plato's argument for rigid censorship, through Victorian laws aimed at repressing libidinous thoughts, to contemporary battles over sex education in public schools and violence in the media, Heins guides us through what became, and remains, an ideological minefield.

In Cold Fear examines the censorship controversies over J. D. Salinger's The Catcher in the Rye as a cultural debate occurring across America, from 1954 to the present day.

In a raid on the Progressive Bookstore of Oklahoma City in 1940, local officials seized thousands of books and pamphlets and arrested twenty customers and proprietors, several of them members of the Communist Party. All were detained incommunicado and many were held for months on unreasonably high bail. Four were tried and convicted for violating Oklahoma's 'criminal syndicalism' law and sentenced to ten years in prison. The defendants' convictions and sentences caused a nationwide furor and were ultimately overturned on appeal after protests from labor unions, churches, publishers, academics, librarians, the American Civil Liberties Union, members of the literary world, and prominent individuals ranging from Woody Guthrie to Eleanor Roosevelt.

Set in a World War II American bomber squadron off the coast of Italy, Catch-22 is the story of John Yossarian, who is furious because thousands of people he has never met are trying to kill him. Yossarian is also trying to decode the meaning of Catch-22, a mysterious regulation that proves that insane people are really the sanest, while the supposedly sensible people are the true madmen.

Living in a "perfect" world without social ills, a boy approaches the time when he will receive a life assignment from the Elders, but his selection leads him to a mysterious man known as the Giver, who reveals the dark secrets behind the utopian facade.

Eleven-year-old Pecola Breedlove, an African-American girl in an America whose love for blonde, blue-eyed children can devastate all others, prays for her eyes to turn blue, so that she will be beautiful, people will notice her, and her world will be different.

Sixteen-year-old Miles' first year at Culver Creek Preparatory School in Alabama includes good friends and great pranks, but is defined by the search for answers about life and death after a fatal car crash.

In Anthony Burgess's influential nightmare vision of the future, criminals take over after dark. Teen gang leader Alex narrates in fantastically inventive slang that echoes the violent intensity of youth rebelling against society. Dazzling and transgressive, A Clockwork Orange is a frightening fable about good and evil and the meaning of human freedom.

In a series of personal essays, prominent journalist and LGBTQIA+ activist George M. Johnson's All Boys Aren't Blue explores his childhood, adolescence, and college years in New Jersey and Virginia.

Mike Mųnoz is a young Mexican American not too many years out of high school--and just fired from his latest gig as a lawn boy on a landscaping crew. Though he tries time and again to get his foot on the first rung of that ladder to success, he can't seem to get a break. But then things start to change for Mike, and after a raucous, jarring, and challenging trip, he finds he can finally see the future and his place in it.

Sixteen-year-old Starr Carter moves between two worlds: the poor neighborhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed. Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil's name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr. But what Starr does or does not say could upend her community. It could also endanger her life